Leah Abramson
“I started researching orcas and was just sort of fascinated by them and their whole social structure and everything. Everything that I researched, I just kept going down rabbit holes until I knew that I had to make some kind of project.”

“When I was really little I had these recurring dreams about a pink beluga whale in a swimming pool, and I don’t know why or how, or it was a very lonely whale and it was pink and I was its only friend, and this was like recurring dreams that I had around the age of, I don’t know, four or five.”


“I started researching orcas and was just sort of fascinated by them and their whole social structure and everything. Everything that I researched, I just kept going down rabbit holes until I knew that I had to make some kind of project.”


“People seem to really respond to it. I mean, I think we’re at a time where people are really waking up to the environment”


“Whales are such a iconic set of animals, especially on the West coast, because, you know, we sort of have this idea of ourselves as wild and, you know, the orcas are jumping and it’s all happy and, you know, we’re obviously in a bit of a, um, crisis with the orcas right now.”


“I know a lot of people have found it quite sad to the project and I don’t know if there’s any way around that, you know, and I think that’s a grief that we have to feel and that it’s important to feel because otherwise we don’t do anything about it. So there’s that as well, you know, like allowing people space and time to feel those feelings of environmental grief, which, you know, you sort of have to slow down a little bit to do sometimes.”

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